Single placed and centered per page for multipart products, f. Without visible cutting lines, folding lines and punching lines, instead - if necessary - cutting and folding marks outside the bleed area – this is also binding for color bars. Partial varnish or hot foil or embossing on exact position in 100% with one color in a separate page or file Color room is CMYK and / or spot colors, without color proles or color management 8 mm for case sleeves in 12“ format and 3 mm spine) - Image resolution with 300 dpi - PDF 1: 1, exported or distilled without scaling For final formats, depending on the product, additional 3 - 8 mm trim all around - 3 mm for paper products, and slip-ons / banderols, - 5 mm for case bags, disco-bags and gate-folders, Optimal is if we get printable, unseparated PDFs (PDF 1.3) from you with details for the product, colors and pages (front side / back side) for covers in single pages also add details of the opening (right or top opener) and title:.If you send us your print data directly as files (via by to please note the following points to avoid differences between your layout and our finished product as far as possible. Also provide information on any cutting specifications (loops etc.) and engraving in the text file, otherwise they cannot be considered. Text files with the title and time of each page should be enclosed. Alternatively, one audio file per track (including pause at end of each track) can be transmitted in the correct order. Audio files for best sound quality with resolution of 44.1Khz / 24Bit or higher as WAV or AIFF files. Send the audio material as one file per side (including breaks). Caution with sizzling and ESS-sounds, use de-essing (opt.: already in a mix!) Side signal should be at least - 6dB quieter than the mono signal (M / S) Bass from 200Hz and below -> go for mono Keep that in mind for playlist of song titles. Absolute maximum: 25 min for 12 “ Optimum: 21 min or less at 33 rpm 12 min or less at 45 rpm Please note: Treble rendering decreases towards the middle of the vinyl. The longer the playing time of a side, the quieter you have to cut. Playing Time per Side: The cutting engineer determines the loudness of the lacquer cut, depending on the length of the A or B side and music material. So if possible, no use of maximizer or similar. Loudness is not a criterion in vinyl mastering. Do not compress or limit the audio masters too extensive, use -12dB RMS as a guideline, peak value can reach up to 0 dBFS. The more dynamic you leave in the music, the more vivid sound you get on vinyl: High transients = high deflection of the needle = great dynamics while listening to the vinyl Return, you can cut everything, even "dead compressed" music, or music that has undergone pre-mastering of a CD production.īUT for the good sound of a vinyl production you should consider the following: Let request = backendRequest(with: url, token: token) Return Fail(error: CustomError.invalidServerResponse).eraseToAnyPublisher() Let's assume you have a token type: struct Token: RawRepresentable Your code mentions a “token” but you don't explain what that is.
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